![]() These parodies are much closer to the Kids in the Hall’s deep-seated frustration with the absurdity of early-90s suburbia, born of being inescapably steeped in it, not distantly dismissive of it. It’s also particularly attuned to the lives of pronouncedly well-meaning but self-centred downtown dwellers, albeit in a much more knowing fashion than the typical stone-throwing at the Brooklynization of the world. Pointed sketches feature a gaggle of reporters asking tabloid-y red carpet questions of a female police captain updating a murder case and a refreshingly blunt take-down of the hideous rigamarole that comes from trying to buy something to cure a yeast infection (“My vagina is disgusting and I don’t know how to take care of it” is the only line that actually gets a response from the pharmacist). This advertisement has not loaded yet, but your article continues below. The cast – Carolyn Taylor, Meredith MacNeill, Aurora Browne and Jennifer Whalen – have been friends and collaborators for a while, a familiarity that shows in their ability to get specific. Entirely female-fronted, there is a natural affinity for poking at the particular absurdities a woman faces. The humour all comes from the recognition of living like a degenerate under the thinnest of out-of-town circumstances.įrom time to time, Baroness Von Sketch does have more on its mind. It eventually builds to an entirely unjustifiable act involving guacamole, but like “Moms,” it would have worked just as well going nowhere, especially with the repeated reminder from one of the women there that she is not a “girl,” as the excessively casual host keeps insisting. ![]() In the final sketch of the first episode, they take on the forced fun of the summer cottage experience: day drinking and ribald jokes are all justified with an increasingly drawn out “We’re at the cawwwtaaaaage.” More to the point for the show, though, its format lets them drift into scenes, and then pump the character interactions until they pop. It depends entirely on recognizing the blend, and then emphasizing it through repetition. All the humour is just in the curious alchemy of the way moms say hello: vaguely hopeful, firmly equanimous, almost like a verbal tic or a mantra. There are brief shots of what you might consider more pointed comedy set-ups - a woman with a pee sample wanders into a hospital hallway with her gown open, another sits on the opposite side of prison glass - but they don’t actually go anywhere, which is exactly the point. “Moms Say Hello” features a series of moms, identifiable by their high-waisted shorts and plaintively inviting faces, cooing “Hello” into phones, down stairs and beyond locked doors. One of the funniest sketches Baroness Von Sketch Show has featured is also one of the simplest - not just for the show, but in terms of possible concepts for a sketch, period. Postmedia may earn an affiliate commission from purchases made through links on this page. ![]() Reviews and recommendations are unbiased and products are independently selected. Manage Print Subscription / Tax Receipt.
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